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    View Urban Fragments by Carlo NadalinPreview
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    Urban Fragments

    Dystopian Street Photography Journey in Sedriano

    by Carlo Nadalin

    This is the price your customers see. Edit list price

    Hardcover, ImageWrap
    Hardcover book with full-color design printed directly on the casewrap
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    About the Book

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    The book inside is translated into English and Italian.
    A small suburban town, a strange sense of monotony, an impulsive urge to photograph.
    These are the three conditions that gave life to the project URBAN FRAGMENTS, an introspective photographic journey that transforms everyday life into micro-stories: some surprise with irony, others suggest social reflections, and others still stimulate the mind.
    Shot in different corners of the same town, on different days, at different times, the images are paired to create unexpected connections: stories that do not exist in reality, but that take shape in the mind of the viewer as the sequence unfolds.
    The book reveals hidden tensions and invisible ties between objects and spaces, transforming ordinary fragments into something surprisingly unexpected.
    Ready to look beyond the surface of the everyday?
    Author website
    https://www.carlonadalin.it/
    Features & Details

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    • Primary Category: Fine Art Photography
    • Additional Categories Street Photography, Arts & Photography Books
    • Project Option: Standard Landscape, 10×8 in, 25×20 cm
      # of Pages: 62
    • Isbn
      • Hardcover, ImageWrap: 9798240600913
    • Publish Date: Apr 24, 2026
    • Language English
    • Keywords black white, urban photography, street photography
    See More
    About the Creator
    CN82
    Carlo Nadalin
    Italiano

    I am an Art Director, a creative who transforms ideas, shapes, and colors into authentic visual stories. Photography has been part of my life since childhood and has become my most direct way of observing and interpreting the world. Through light, composition, and the search for unrepeatable moments, I create images that go beyond simply describing what I see, aiming instead to tell a story, convey an atmosphere, and capture a feeling before it disappears. My approach is essential and deeply rooted in photographic tradition: I believe in vision before equipment and in waiting before pressing the shutter. Post-production follows the same philosophy: I intervene minimally, with an approach inspired by the darkroom, I develop the image, I do not alter it.

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