Nathan Whitham's practice positions itself between the past and present - investigating photography’s ever expanding digital functions and the resulting obsolescence of many photographic objects.

This project has developed from an obsession with preserving both tangible and immaterial qualities of contemporary and obsolete equipment.

Highlighting the rapid and relentless evolution of communication and image making in contemporary consumer culture, Whitham’s work highlights and compares the implicit hierarchies of the digital age with historic photographic fashions.