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    View The Primordial Pixel by Tom R. ChambersPreview
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    The Primordial Pixel

    by Tom R. Chambers

    This is the price your customers see. Edit list price

    Softcover
    Full-color paperback on cover stock without flaps
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    About the Book

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    These pixelscapes are similar to Color Field painting that emerged in New York City during the 1940s and 1950s. This movement places less emphasis on gesture, brushstrokes and action in favor of an overall consistency of form and process. In Color Field painting, color is freed from objective context, and it becomes the subject in itself ("Themes in American Art: Abstraction." National Gallery of Art, Web, May 9, 2010).
    Author website
    http://tomrchambers.com
    Features & Details

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    • Primary Category: Fine Art
    • Project Option: Standard Portrait, 8×10 in, 20×25 cm
      # of Pages: 34
    • Isbn
      • Softcover: 9781364796228
    • Publish Date: Nov 16, 2015
    • Language English
    • Keywords color, field, pixel, abstraction, minimalism, geometrics, expressionism
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    About the Creator
    trchambers
    Tom R. Chambers
    Houston, Texas, USA

    Tom R. Chambers is a documentary photographer/visual artist, and he is currently working with the pixel as Minimalist Art (Pixelscapes). He has 100 exhibitions to his credit. He was Visiting Lecturer in Digital/New Media Art for the Fine Arts Department at Zhaoqing University, Zhaoqing, China, 2005 - 2007. He joined the Department to develop and teach a Digital/New Media Art Program. Chambers was invited by the National Institute of Design [NID] in Ahmedabad, India to conduct a three-week, New Media Art workshop for its New Media Design graduate students. The workshop culminated in the exhibition, NMA@NID. His mixed media/interactive work, Mother's 45s was selected through national search for exhibition as a part of the Parents show at the Museum of Contemporary Art, Wright State University, Dayton, Ohio, U.S.A. (1992). American Photo magazine listed one of his documentary projects, Dyer Street Portraiture in its March, 1986 issue.

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